Power metal is a subgenre of heavy metal combining characteristics of traditional heavy metal with speed metal, often within a symphony context. Generally, power metal is characterized by a faster, lighter, and more uplifting sound, in contrast with the heaviness and dissonance prevalent in, for example, extreme metal. Power metal bands usually have anthemic songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound. Neo-classical & Power Metal (progrockandmetal.net)
The term was first used in the mid-1980s Power Metal (guitarmasterclass.net) and refers to two different but related styles: the first largely practiced in North America with a harder sound similar to speed metal; and a later, more widespread and popular style based in Europe
Another British band, Iron Maiden, brought epic and melodic sensibility to metal, creating anthemic, singalong music, an approach widely embraced by modern power metal musicians. Referred to as the "main prototype" of the power metal genre, Iron Maiden was heavily influenced by Heaven and Hell and Mob Rules (the first two albums of Black Sabbath's Dio-era), which would also go on to influence modern power metal.
The emergence of the early German power metal scene in particular was made possible by Scorpions and Accept. Swedish guitarist Yngwie Malmsteen made a significant impact on many future power metal guitarists, with his accurate and fast neo-classical style. His bandmate Jens Johansson modernized the keyboard sound of Deep Purple's Jon Lord, which was further incorporated into the genre. Manowar's mythological sword and sorcery lyrics influenced a number of power metal bands.
Throughout the early 1980s (especially during 1982 and 1983), the US power metal style first emerged from traditional heavy metal, the new wave of British heavy metal (NWOBHM), and thrash metal/speed metal backgrounds. Although the genre's precise stylistic origins are often contested, acts such as Cirith Ungol, Jag Panzer, Manilla Road, Omen, Riot V, Savatage, Metal Church and Warlord are generally believed to have influenced the earliest development of the style.
More concretely, in 1987 German band Helloween released their second album, , cited by AllMusic as "a landmark recording that remains arguably the single most influential power metal album to date. Its volatile combination of power and melody would inspire an entire generation of metal bands". Helloween – Biography This release influenced a European power metal style to evolve, which proliferated throughout the globe and since the start of the 1990s is still the most commonly heard style of power metal.
Many power metal bands based their concept albums on fantasy books and ; Blind Guardian based Nightfall in Middle-Earth on Tolkien's The Silmarillion, while Kamelot based Epica and The Black Halo on Goethe's Faust. Some bands have even written their own imaginary stories, like Rhapsody of Fire's Emerald Sword Saga and The Dark Secret Saga, Iced Earth's Something Wicked Saga, or Avantasia by Edguy's Tobias Sammet.
Historical themes have also seen usage in the works of bands, most famously Sabaton, whose lyrics extensively focus on historical wars, battles, and individuals that received notable recognition for their wartime accomplishments. Examples include World War I, World War II, Vikings, Samurai, and much more from around the world including the American, Swedish, and German militaries. Serenity, an Austrian (symphonic) power metal band, focuses mainly on historical figures and events, including Francis Drake, Marco Polo, Galileo Galilei, Beethoven, and Napoleon.
Many power metal drummers play double bass patterns with either two , or utilize a double bass pedal; using them to play a constant stream of Sixteenth note with snare drum accents on the beat, a style not restricted to, but most often associated with, power metal. The style was used by drummer Ingo Schwichtenberg of Helloween, setting a blueprint for many other drummers to follow. Others, such as the drummers of Blind Guardian and Iced Earth, use a more thrash metal style of drumming with rapid bursts of double bass that involve three to six beats with the double kick.
Power metal bands often incorporate keyboards into their musical arrangements, something popularized by Jens Johansson of Stratovarius (though their prominence varies). Some power metal bands also record with symphonic elements, and as such, they utilize a full orchestra to fill the role usually played by the keyboardist.
The early releases of progressive metal bands Queensrÿche and Fates Warning, such as The Warning (1984) and The Spectre Within (1985), heavily influenced a number of bands that were to develop a common sound towards the late 1980s. Among the better known representatives of the style, such as Manowar, Vicious Rumors, Virgin Steele, Riot, or Jag Panzer, a small number of bands enriched their sound with progressive and epic elements (the most obvious examples being Crimson Glory, Savatage, Sanctuary and the epic doom metal band Cirith Ungol); or even with thrash metal elements, e.g., Metal Church and Iced Earth. Power-Progressive Metal (American style) (progarchives.com) US power metal saw a sharp decline in popularity at the beginning of the 1990s, though the style has rebounded somewhat in the past decade, with bands such as Liege Lord or Heir Apparent reforming for live performances "Reunited Liege Lord to Headline Next Year's Keep It True XVI Festival". and many, such as Helstar and Omen, still releasing new material.
Over the late 90s and early 00s, power metal spread over Europe especially as well as the rest of the world, often incorporating new influences. Italy's Elvenking, Sweden's Falconer, Spain's Mägo de Oz, and Denmark's Wuthering Heights integrated elements of Folk metal music with power metal. Angra, Kamelot, and especially Symphony X are known for combining progressive and power metal. Some bands are known for combining power metal with more aggressive musical forms; Children of Bodom were one of the earliest who combined elements of power metal and an early form of melodic death metal.
European-style power metal became widespread in comparison with US style as of the mid 1990s, with numerous North American bands such as Theocracy, Borealis, Forgotten Tales, Avian, Pharaoh, Circle II Circle, and Kamelot demonstrating the style. This European style of power metal is sometimes considered the "second wave" of power metal since its spread was in the late 1980s and especially the mid-late 1990s rather than proliferating throughout the 1980s, and the widespread influence and development of the genre that came in its tow while US "first wave" style markedly declined.
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