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Power metal is a subgenre of heavy metal combining characteristics of traditional heavy metal with , often within a context. Generally, power metal is characterized by a faster, lighter, and more uplifting sound, in contrast with the heaviness and dissonance prevalent in, for example, . Power metal bands usually have anthemic songs with fantasy-based subject matter and strong choruses, thus creating a theatrical, dramatic and emotionally "powerful" sound. Neo-classical & Power Metal (progrockandmetal.net)

(2025). 9781901447132, Cherry Red Books.
"Riffs became labyrinthine, vocals scorched higher altitudes—and they even managed to crank out some more volume."

The term was first used in the mid-1980s Power Metal (guitarmasterclass.net) and refers to two different but related styles: the first largely practiced in North America with a harder sound similar to speed metal; and a later, more widespread and popular style based in Europe

(2025). 9781901447132, Cherry Red Books.
"American metal such as Queensrÿche, Attacker, Jag Panzer, Iced Earth, Liege Lord, and Savatage; European bands such as Helloween, Gamma Ray, Blind Guardian, Running Wild, and Grave Digger;" with a lighter, more melodic sound and frequent use of keyboards.


Stylistic origins
Anthropologist traced the origins of power metal back to the late 1970s, when the groundwork for power metal lyrical style was laid down by Ronnie James Dio. The fantasy-oriented lyrics he wrote for Rainbow, concentrated around medieval, renaissance, folk, and science fiction themes, directly influenced modern power metal bands. Metal – A Headbanger's Journey, DVD, ASIN B000FS9OZY (2005). According to Dunn, the songs "Stargazer" and "A Light in the Black" from the 1976 album Rising, as well as "Kill the King" and "Lady of the Lake" from the 1978 album Long Live Rock 'n' Roll, might be among the earliest examples of power metal. In his 2011 documentary series , Dunn further explained how of created a blueprint for power metal vocal delivery. His almost constant high-pitched singing became one of the main characteristics of power metal. The twin-guitar sound promoted by Judas Priest's duo of K. K. Downing and also highly influenced this subgenre.

Another British band, , brought epic and melodic sensibility to metal, creating anthemic, singalong music, an approach widely embraced by modern power metal musicians. Referred to as the "main prototype" of the power metal genre, Iron Maiden was heavily influenced by Heaven and Hell and Mob Rules (the first two albums of 's Dio-era), which would also go on to influence modern power metal.

The emergence of the early German power metal scene in particular was made possible by Scorpions and Accept. Swedish guitarist made a significant impact on many future power metal guitarists, with his accurate and fast neo-classical style. His bandmate modernized the keyboard sound of 's , which was further incorporated into the genre. 's mythological sword and sorcery lyrics influenced a number of power metal bands.

Throughout the early 1980s (especially during 1982 and 1983), the US power metal style first emerged from traditional heavy metal, the new wave of British heavy metal (NWOBHM), and / backgrounds. Although the genre's precise stylistic origins are often contested, acts such as Cirith Ungol, , , Omen, , , and Warlord are generally believed to have influenced the earliest development of the style.

(2025). 9781906002879, Jawbone Press.

More concretely, in 1987 German band released their second album, , cited by as "a landmark recording that remains arguably the single most influential power metal album to date. Its volatile combination of power and melody would inspire an entire generation of metal bands". Helloween – Biography This release influenced a European power metal style to evolve, which proliferated throughout the globe and since the start of the 1990s is still the most commonly heard style of power metal.


Musical characteristics
Power metal is today associated with fast guitar riffs and drumming, twin melodies, operatic singing, and thus "bears all the hallmarks of traditional metal." The sound is tempered by characteristics of , power metal's musical forerunner.


Vocals
Power metal is highly focused on the vocalist, with "clean" vocals being much more prevalent than the growling vocals often associated with . Inspired by Ronnie James Dio, , , , and other heavy metal vocalists, power metal vocals are often in a high register, and the singer's vocal range is usually wide. What Is Power Metal? (about.com) The majority of the genre's vocalists sing in the range and are capable of hitting very high notes, for example of , of , of and (ex-Angra). There are many exceptions who sing in either or bass range, like Joakim Brodén of Sabaton. Some vocalists sing in a harsh, style, including of Grave Digger, of Gamma Ray, of Rage, and 's Jari Mäenpää. Many power metal vocalists record multi-layered vocals, creating a choral effect. Helloween cover Queen's song 'Sheer Heart Attack' (Blabbermouth net)


Lyrical themes
Themes that frequently feature throughout other metal subgenres, such as religion and politics, are comparatively rare in power metal - albeit not unheard of. Power metal's lyrical themes often focus on and , male and hope, personal struggles and emotions, war and death, or combinations of the aforementioned. For example, Finnish band have been known for focusing their lyrics of their songs on fantasy but also have many songs based on reality, love and relationships.

Many power metal bands based their on fantasy books and ; based Nightfall in Middle-Earth on Tolkien's , while based Epica and The Black Halo on Goethe's Faust. Some bands have even written their own imaginary stories, like Rhapsody of Fire's Emerald Sword Saga and The Dark Secret Saga, 's Something Wicked Saga, or by 's .

Historical themes have also seen usage in the works of bands, most famously Sabaton, whose lyrics extensively focus on historical wars, battles, and individuals that received notable recognition for their wartime accomplishments. Examples include World War I, World War II, , , and much more from around the world including the American, Swedish, and German militaries. Serenity, an Austrian (symphonic) power metal band, focuses mainly on historical figures and events, including , , , Beethoven, and Napoleon.


Instrumentation
Power metal guitarists and bassists generally play rapid streams of notes, but change chords comparatively slowly, with a of once per measure or slower. Fast and technically demanding guitar solos, however, are almost guaranteed.
(2025). 9781901447132, Cherry Red Books.
The slow changing of chords is significant in defining power metal just as the fast rapid chord changes often define traditional . Power metal often makes use of Major chord progressions as well as circle progressions. Some of the most influential and acclaimed power metal guitarists are of Gamma Ray, of , and formerly of Stratovarius. It is a common trait in power metal for the bass guitar to take a back seat, so to speak; often simply providing the chord root notes and being drowned out by the more prevalent rhythm guitars. However, some power metal bands incorporate bass that is more audible with colorful patterns distinct from the rhythm guitars, such as Helloween, , and .

Many power metal drummers play double bass patterns with either two , or utilize a double bass pedal; using them to play a constant stream of with snare drum accents on the beat, a style not restricted to, but most often associated with, power metal. The style was used by drummer Ingo Schwichtenberg of , setting a blueprint for many other drummers to follow. Others, such as the drummers of and , use a more thrash metal style of drumming with rapid bursts of double bass that involve three to six beats with the double kick.

Power metal bands often incorporate keyboards into their musical arrangements, something popularized by of Stratovarius (though their prominence varies). Some power metal bands also record with symphonic elements, and as such, they utilize a full orchestra to fill the role usually played by the keyboardist.


Styles

American style
The American branch of power metal emerged in the early 1980s in the United States, drawing influence primarily from traditional metal and the . Though very close to its roots, US power metal (often abbreviated USPM) is often faster and more energetic than traditional heavy metal, with a more riff-driven approach and a relative lack of keyboard usage compared to its later European counterpart. However, it is often more melodic than , with a greater emphasis on guitar leads. USPM is also notable for its widespread (but not universal) use of high-register operatic vocals, a trend which would continue with the rise of European power metal in the late 1980s and early 1990s. This style is not exclusive to North America, as European bands such as Sacred Steel, Majesty, and Australian band later adopted a style inspired by USPM bands in the 1990s.

The early releases of progressive metal bands Queensrÿche and , such as The Warning (1984) and The Spectre Within (1985), heavily influenced a number of bands that were to develop a common sound towards the late 1980s. Among the better known representatives of the style, such as , , , Riot, or , a small number of bands enriched their sound with progressive and epic elements (the most obvious examples being , , Sanctuary and the epic doom metal band Cirith Ungol); or even with elements, e.g., and . Power-Progressive Metal (American style) (progarchives.com) US power metal saw a sharp decline in popularity at the beginning of the 1990s, though the style has rebounded somewhat in the past decade, with bands such as or Heir Apparent reforming for live performances "Reunited Liege Lord to Headline Next Year's Keep It True XVI Festival". and many, such as and Omen, still releasing new material.


European style
European power metal originated from and the NWOBHM, emerging in late 1980s, particularly in Germany, with , Running Wild, Rage, Grave Digger, and . The second and third Helloween albums; (1987) and (1988) are usually considered the first proper European power metal albums. What Is Power Metal?, by Dan Marsicano (about.com) Alongside the early German bands came Finland's in late 1980s. These bands pioneered the genre, but took it in somewhat different directions. Helloween, followed by early Gamma Ray, mixed fast riffs with high-pitched clean vocals, and with a strong focus on melody and uplifting, positive themes. Stratovarius further developed this melodic direction by making heavy use of keyboards, with lyrics dealing with emotions and personal issues. Blind Guardian utilized the technique of vocal and guitar to create an epic atmosphere, with lyrical content strongly based on fantasy novels, myths and legends. The symphonic and neo-classical elements also found their way through power metal with bands like Rhapsody of Fire (Italy), Serenity (Austria) and (Finland). At the same time, bands such as simplified their power metal to bring it closer to traditional heavy metal.

Over the late 90s and early 00s, power metal spread over Europe especially as well as the rest of the world, often incorporating new influences. Italy's Elvenking, Sweden's Falconer, Spain's Mägo de Oz, and Denmark's Wuthering Heights integrated elements of music with power metal. Angra, , and especially are known for combining progressive and power metal. Some bands are known for combining power metal with more aggressive musical forms; Children of Bodom were one of the earliest who combined elements of power metal and an early form of melodic death metal.

European-style power metal became widespread in comparison with US style as of the mid 1990s, with numerous North American bands such as Theocracy, Borealis, , Avian, Pharaoh, Circle II Circle, and demonstrating the style. This European style of power metal is sometimes considered the "second wave" of power metal since its spread was in the late 1980s and especially the mid-late 1990s rather than proliferating throughout the 1980s, and the widespread influence and development of the genre that came in its tow while US "first wave" style markedly declined.


See also


General bibliography


External links

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